In this short program for State of the Arts, a New Jersey public television series produced by PCK Media, LaToya Ruby Frazier talks about her introduction to photography and about the work she is showing in the 2012 Whitney Biennial, including a performance piece that will debut on Friday, May 11.
Says Whitney Biennial co-curator Jay Sanders, “Her work embodies the history of documentary photography, photography that articulates social conditions, that articulates the reality of working people, but at the same time she’s very well read and embedded in a dialogue coming out of conceptual art.”
At this year’s LOOK3 Festival of the Photograph in Charlottesville, VA, artist LaToya Ruby Frazier made her intentions as an artist and activist clear in a powerful presentation of her work that combined diaristic snippets about her relationships with her grandmother and mother with stories about the community of Braddock, PA, where she was raised. Frazier’s reading, reminiscent of a prose poem, was intensely personal, heartfelt and, at times, forceful and defiant, drawing on the history of Braddock as a once-prosperous steel town, and on its current state where poverty, joblessness and pollution-related health issues plague the largely African-American population.
Frazier’s work has previously been included in high-profile group exhibitions such as the 2009 Triennial at The New Museum and a 2010 group exhibition at PS1 MoMA, and she has had solo and two-person shows at her gallery, Higher Pictures in New York, and elsewhere. The work she has presented thus far has been comprised primarily of self-portraits and portraits of her grandmother and mother, whom Frazier taught to photograph and considers a collaborator. Yet the full breadth of her work and her ambition for it has not been widely known, she says.
“Until I spoke today, I don’t think people were aware of what the work was about, because it’s complicated,” Frazier told PDN after her Master’s Talk. “Today was a huge breakthrough to be able to come here and talk to people.” (more…)